So far, I've built all of my pickups by chopping guitar cables in half (so I don't have to resolder the plugs) or by using scrap, balanced, 1/4 " microphone cable. These cables work fine but they're heavy and tend to get twisted. They pull on the piezo element and the plug or jack, which are taped on, resulting in noise from extra vibration or the pickup becoming detached altogether.
Again following the lead of David Fittell's site, as I did when I built a piezo film pickup, I purchased some lightweight Mogami cable. I bought three types from Redco Audio:
- W2368 - miniature unbalanced microphone cable, only 2 mm in diameter;
- W2697 - miniature balanced microphone cable, only 2.5 mm in diameter; and
- W2319 - guitar cable built for high impedance things, only 5 mm in diameter.
These pickups are excellent. I modeled them after the designs of the commercial pickups I discussed in my last post. Each unit is so small I can tape it in its entirety almost anywhere I want on the guitar. There is little stress on the pickup and no resulting vibration. Also, in the pickups made with guitar cables, the cable itself, attached directly to the piezo element, is very sensitive and will make noise when touched or rubbed. In these new pickups, the cable between the pickup jack and the amp or preamp is not so sensitive and doesn't make any noise when touched. I haven't recorded anything yet with these but will soon. And, the cost for each, given the cheap Redco prices, is about $1. Subarashi!
1 comment:
Some day, Eric Johnson may inspire me to keep one of his records (needs less work on his cables and more on his singing and songwriting ...). Until that happens, maybe you could write that book on cables - and using lightweight ones to make homemade piezos. It's neat to think that music can come from the same technology used to register petit mal earthquakes or ring door buzzers.
- Jeff
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